| Postcolonial Text Enters a New Phase |
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Ranjini Mendis, John Willinsky |
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| "Don't Let Yourself Be Made Game Of": Yambo Ouologuem's Le Devoir de violence and the Game of Genre |
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Susan Gorman |
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| Creolization and the Collective Unconscious: Locating the Originality of Art in Wilson Harris's Jonestown, The Mask of the Beggar and The Ghost of Memory. |
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Lorna M Burns |
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| The Importance of Being Ethnic and the Value of Faking It |
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Carrie Dawson |
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| Escaping the Tyranny of Magic Realism? A Discussion of the Term in Relation to the Novels of Zakes Mda |
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Derek Alan Barker |
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| Tremblings In The Distinction Between Fiction And Testimony |
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Jessica Murray |
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| The "Non-Native Native" in V.S. Naipaul's A Bend in the River |
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Joseph Walunywa |
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| India on a Platter: A Study of Gurinder Chadha and Paul Mayed Berges's Cinematic Adaptation of The Mistress of Spices |
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Rajyashree Khushu-Lahiri, Shweta Rao |
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| Negotiating the Overlapping Discursive Territory of Exotica Tibet: Reading Dibyesh Anand's Geopolitical Exotica |
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hajer ben gouider trabelsi |
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| I Hear Voices: In Our Own Voices: Learning and Teaching Toward Decolonisation |
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Joel Kuortti |
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| Review of Literature of the Indian Diaspora |
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Anna Michal Guttman |
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| (Un)binding the states of location, be(long)ing, representation: Getting lost in the East Asian library |
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Jungah Kim |
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