| Acknowledgements |
PDF
|
|
Ranjini Mendis, John Willinsky |
|
| The Cultural Capital of Sound: Québécité’s Acoustic Hybridity |
Abstract PDF
|
|
Julia Catherine Obert |
|
| The Paradox of Return: Origins, Home and Identity in M.G. Vassanji's The Gunny Sack |
Abstract PDF
|
|
Ashok K Mohapatra |
|
| Okonkwo's Suicide As An Affirmative Act: Do Things Really Fall Apart? |
Abstract PDF
|
|
Alan R Friesen |
|
| Dances with Coyote: Narrative Voices in One Good Story, That One |
Abstract PDF
|
|
Maria Truchan-Tataryn, Susan Alison Gingell |
|
| How Soon Is Now? Intertextuality and Reading in the Postcolonial Present |
Abstract PDF
|
|
Zach Weir |
|
| The Anxieties of Authorship in Malaysian and Singaporean Writings in English: Locating the English Language Writer and the Question of Freedom in the Postcolonial Era |
Abstract PDF
|
|
Grace V.S. Chin |
|
| Means and Motives: The Mystification of Mountaineering Discourse |
Abstract PDF
|
|
Jon F. Gordon |
|
| Jumping in Heart First: An Interview with ahdri zhina mandiela |
Abstract PDF
|
|
Susan Alison Gingell |
|
| On a Journey Homeward: An Interview with Muhammad Haji Salleh |
Abstract PDF
|
|
Mohammad A. Quayum |
|
| Along the Borders of the Postcolonial Book: Richard Watts' Packaging Post/Coloniality |
PDF
|
|
Eli Sorensen |
|
| Postcolonial Critics and Globalization: Pamela McCallum and Wendy Faith's Linked Histories |
PDF
|
|
Julie McGonegal |
|