| Acknowledgements |
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Ranjini Mendis, John Willinsky |
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| The Cultural Capital of Sound: Québécité’s Acoustic Hybridity |
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Julia Catherine Obert |
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| The Paradox of Return: Origins, Home and Identity in M.G. Vassanji's The Gunny Sack |
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Ashok K Mohapatra |
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| Okonkwo's Suicide As An Affirmative Act: Do Things Really Fall Apart? |
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Alan R Friesen |
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| Dances with Coyote: Narrative Voices in One Good Story, That One |
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Maria Truchan-Tataryn, Susan Alison Gingell |
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| How Soon Is Now? Intertextuality and Reading in the Postcolonial Present |
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Zach Weir |
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| The Anxieties of Authorship in Malaysian and Singaporean Writings in English: Locating the English Language Writer and the Question of Freedom in the Postcolonial Era |
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Grace V.S. Chin |
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| Means and Motives: The Mystification of Mountaineering Discourse |
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Jon F. Gordon |
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| Jumping in Heart First: An Interview with ahdri zhina mandiela |
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Susan Alison Gingell |
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| On a Journey Homeward: An Interview with Muhammad Haji Salleh |
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Mohammad A. Quayum |
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| Along the Borders of the Postcolonial Book: Richard Watts' Packaging Post/Coloniality |
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Eli Sorensen |
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| Postcolonial Critics and Globalization: Pamela McCallum and Wendy Faith's Linked Histories |
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Julie McGonegal |
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