| Dismantling the Gaze: Julia Margaret Cameron’s Sri Lankan Photographs |
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Kanchanakesi Channa Warnapala |
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| A Question of Black or White: Returning to Hanif Kureishi’s The Black Album |
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Sara Upstone |
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| New Media, Digitextuality and Public Space |
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Pramod K Nayar |
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| "May the unfixable broken bone/ … give us new bearings": Ethics, Affect and Irresolution in Ingrid de Kok's A Room Full of Questions |
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Susan Eileen Spearey |
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| Authority and Misquotation in V.S. Naipaul's A Bend in the River |
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Imraan Coovadia |
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| "The Biggest Callaloo Anybody Ever See": The Callaloo Metaphor in Robert Antoni's Divina Trace |
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Giselle Rampaul |
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| Imagined Geographies: Mapping the Oriental Habitus in the Nineteenth Century British Novel |
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Savi Munjal |
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| The Challenges of Aesthetic Populism: An Interview with Jean-Pierre Bekolo |
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Akin Adesokan |
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| Reading the TRC for an Ethics of Mourning: Mark Sanders' Ambiguities of Witnessing |
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Veronica Blackbourn |
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| Mirroring a People and Writings from Different Angles |
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Gamini Edirisingha Arachchige Fonseka |
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| David Malouf: From Nation to Cosmopolitan Narration |
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Victor Clifford Oost |
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| African Intimacies: Race, Homosexuality, and Globalization by Neville Hoad |
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Brenna Moremi Munro |
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| The House With a Thousand Novels; Encroachment |
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Aruni Kashyap |
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| From Pasan, a Threnody for Lanka |
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Ashley Halpé |
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